Monday, September 21, 2009

The survival story of Zimbabwe's proud women

BY GRACE CHIRUMANZU

Shingirai Maphosa (19), a waitress attending customers at a busy restaurant, in Harare, has inspired her older workmates with her courage and strength to bulldoze through the barriers between her poor background and her dreams, erected by Zimbabwe’s difficult economic situation over the years.

Maphosa finished her ordinary school level, at Glen View 1 High School, in 2007 and she has since described her four-year experience as “frustrating and discouraging” though she soldiered on.

Getting chased out from school having not paid school fees was typically how the young woman started every school term, in her high density suburb. She hardly wore any new pair of school uniform, white socks or shoes, since her father passed away in 2006. She had to buy cheap used uniform from school leavers with the money she earned from selling home-made lollipop ice-creams from mauyu –an African fruit.

“And I hardly paid any cash for the cheap second hand uniforms, but I was fortunate that they were patient with me and sometimes I would even manage to pay them when the uniforms are as old as getting torn in the collar and armpits,” she recalled.

“I was always left behind in the studies because I will spend the whole week at home without school fees, then I had to help my mum at her market place to raise my school fees as well as my young brothers’. It was even difficult to concentrate in school because I always worried if we were going to be able to raise the exam fee in the end.”

Because of the hic-ups, she only passed three Ordinary level subjects (English shona, Food and Nutrition). Maphosa sat again for the Accounts, Geography and Science examinations the following year, which she eventually passed. The 21-year-old went on to study a 14 months-course in hotel and catering, at a college in the capital.

Her current straining job as a restaurant waitress, where she works 72 hours a week is nothing close to her dream of working at a five star hotel, in the country and eventually opening her own restaurant. But she remains happy she is two steps up the ladder.

“It is that kind of job where employers love taking in young girls like me whom they know they won’t complain much on the salary. I get US$90 per month and my other workmates get US$60 and I have learnt not to complain because I have told myself that all I need is experience and it will not be the same with staying at home,” she said.

The young waitress’ widowed mother, is a vendor in Glen View, and she has relied on her business to raise her four children -Shingisai, Godwill (17), Panashe (13) and Masimba (3)- since his husband’s death three years ago.

She has always waked up early in the morning for her hoarding of vegetables in Highfield’s Lusaka market to sell in her community. With a meager profit of $US15 per week, the family has always adjusted to live under the circumstances by reducing their meals of the day.

“It is not easy, but sometimes when I’m about to quit I try to look at other options and find none and the next day I will still be stuck with it. It is not the best rewarding job to do when you are trying to raise a family, the money I get from each day is sometimes not enough to prepare a meal for my children and looking at them starve is so heartbreaking for me as a mother,” she said.

“But I’m happy that I have managed to get my daughter through ordinary level and she has been helping with what she gets from her job. That has been the life for us and we are at least proud that there was never one day we survived the day with anything stolen from anyone, we have always believed in hard work and that is what I have taught my children.”

The Maphosa family, is an epitome of several families in a Zimbabwe that has been hard-hit by a tough economic situation, in recent years. Women have survived through by empowering themselves with one of the society’s uninspiring business of vending.

Selling “Dollar for two” packets biscuits at several bus stations in the country, less profit making R2 each lollipop sweets and cellular phone juice cards has been most women’s source of income.

Last year, before the dollarization of the economy by the government, almost half the population in Harare city centre resorted to vending. Literally every corner of the street was jammed with women and children selling sweets as the atmosphere was filled with voices shouting “R5 unodya ten masweets” (R5 for ten sweets), “Dollar for dollar Buddie, Txt, Partnership” and that will be mobile phone airtime.

They have switched from one self job to another with different levels of the economical hardships. Some have raised families by cross boarder trading, as others have been pushed by circumstances to voluntarily stoop low and become house maids in neighboring countries, ignoring the ill-treatment from their paymasters for the sack of their families.

That has been the survival story of the proud and hard-working Zimbabweans; in an African country the economy has left the world wondered how a human being can pull through a day.

Tuesday, September 8, 2009

Women artists celebrate the she-roes of Zimbabwe




BY GRACE CHIRUMANZU


Pamberi Trust’s project, Sistaz Open Mic, will be wrongly described by some chauvinists as a gathering of feminists denouncing the opposite sex, but last Saturday, The Zimbabwean witnessed a party of Zimbabwean women with the zeal and enthusiasm for the arts industry as they celebrated the living and their late she-roes of the country.
It was a thrilling function of renowned and upcoming women poets, singers and dancers as they showcased their talents with utmost gusto, with the response from the supportive audience motivating for any first-timers. The few men present will testify that the event needed not to be anti-men to be pro-women, a gathering of Zimbabwean artists bonding their sisterhood.
Among the famous artists present was the afro jazz diva, Dudu Manhenga and the acclaimed writer, Tsitsi Dangarembga. There were such moving performance from upcoming artists as songwriter and singers, Rina Mushonga, Thanda Richardson, Caroline Chipindu, Tanyaradzwa Todini popularly known to the other sisters as Sister Fire, South African rapper, Blackbird, poets Cynthia Marangwanda, Chido Manhombo among others.
Sistaz Open Mic was born in January 2007 as a special platform for emerging female artists and the project has gone a long way in moulding young talent, according to Manhenga.
“We have seen singers developing from scratch right in front of our eyes and we have had the likes of Vimbai Zimuto recording their first albums, Thanda Richardson is amazing. We have always made sure to make this event (Sistaz Open Mic) an afternoon show so that we have women coming in and going back home, on time to cook for their husbands. It is also a flexible time for the young artists who will be making their first appearances to come and get back home early,” she said.
The emerging Dutch-Zimbabwean pop star, Mushonga, believes women in Zimbabwe need to loosen free the star shining in their hearts to help build the arts industry.
“Women in the arts and those who aspire to be artists should know that they are a great part of Zimbabwe, they are amazingly resilient and will continue to be respected for supporting their families,” she said.
Mushonga (29), a Mutare based singer who performed at the Harare International Festival of Arts for the first time, this year, described her Afro-pop music as a folk rock fusion tangled with lyrics about Zimbabwe.
Hakuna magetsi (There is no electricity) was one song she moved the crowd with at Harare’s Book Café, last weekend. When Mushonga came back from Netherlands late 2008, she found a group of talented musicians from Mutare and together they have formed a band, Rina and the Zimfellas.
Her solo performance at the Sistaz Open Mic left many convinced Zimbabwe will have her own Tracey Chapman in Mushonga, but a whole lot energetic Chapman who knows how to keep her crowd rocking with the sound of her guitar.
The house was also set ablaze by Richardson and Sister Fire with their Jah Rasta Farian reggae music. The energy from the two women artists saw the Café ballooned into a tantalizing gospel show, at some moment as Fire preached of “One Love.”
“I’m hurt to see people discriminating others just because they may have grew up in an irie (happy) family, there should not be such a thing as street kids; we are all the same. One Love sistaz,” she encouraged.
Marangwanda, in her poem “woman” recited of the new independent woman of Zimbabwe whom some part of the society has chosen to call a feminist.
“She is a lioness hunting for the Promised Land through a creative path; they call her feminists she calls herself independent. Respect her, this new woman of Zimbabwe, heart of this nation; African woman, foundation of this land,” she called at the stage.
The show has become a popular space for young women who come out to perform in this no-pressure zone, finding encouragement, direction and a solid support system from established women artists of Zimbabwe, who fully support the programme, since its establishment.
Manhombo, a 19 year old upcoming poet who performed her poem in public for the first time told The Zimbabwean she was “nervous at first but the audience’s reception helped calm down the nerves.”

http://www.thezimbabwean.co.uk/